 |  | Shure KSM137/SL ST PAIR Studio Instrument Microphone Pair Microphones Shure Microphones
Shure Shure
Shure KSM137/SL ST PAIR Studio Instrument Microphone Pair The Shure KSM137/SL ST Pair is a pair of end-address condenser microphones with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Features
A highly consistent cardioid polar pattern
Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
Premium electronic components, including gold-plated internal and external connectors
Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect
Low self-noise
Exceptional reproduction of low-frequency sounds
Superior common mode rejection and suppression of RFI (radio frequency interference)
Great for Close miking of acoustic instruments such as piano, guitar, violins, drums, and percussion; Overhead miking of drums and percussion instruments; Electric guitar amplifiers; Brass and woodwind instruments; Room ambience pick-up (guitar amplifier or drums); Orchestras, choirs, wind ensembles; Low-frequency instruments such as double bass and kick drum
A137SPC Carrying Case, Two x A100WS Windscreens and Two x A57F Stand Mounts included with this pair of microphones Specifications:
Cartridge Type: Permanently Biased Condenser
Frequency Response: 20–20,000 Hz
Directional Polar Pattern: Cardioid
Output Impedance: 150 Ohms (actual)
Attenuation Switch: 0 dB,15 dB, or 25 dB attenuation
Low Frequency Response Switch: Flat; –6 db/octave below 115 Hz; –18 dB/octave below 80 Hz
Phantom Power: 48 Vdc+/- 4 Vdc (IEC–268–15/DIN 45 596), positive pins 2 and 3
Current Drain: 4.65 mA typical at 48 Vdc
Common Mode Rejection = 50 dB, 20 Hz to 20 kHz
Polarity: Positive pressure on diaphragm produces positive voltage on output pin 2 relative to pin 3
Dimensions and Weight: 20 mm (0.8 in.) diameter, 122 mm (4.8 in.) long; 100 grams (3.5 oz.)
Sensitivity (typical, at 1000 Hz; 1 Pa = 94 dB SPL): –37 dBV/Pa
Self–noise (typical, equivalent SPL; A-weighted, IEC 651): 14 dB
Maximum SPL at 1 kHz: 5000 Ohm load (Attenuator on): 145 (160, 170) dB, 2500 Ohm load (Attenuator on): 139 (154, 164) dB, 1000 Ohm load (Attenuator on): 134 (149, 159) dB
Output Clipping Level: 5000 Ohm load: 15 dBV, 2500 Ohm load: 9 dBV, 1000 Ohm load: 3 dBV
Dynamic Range: 5000 Ohm load: 131 dB, 2500 Ohm load: 125 dB, 1000 Ohm load: 120 dB
Signal to Noise Ratio: 80 dB |
Pro-Audio- Acoustic Treatment
- Audio Software
- Computer Hardware
- DJ/Samplers/Sequencers
- Drum machines/mods
- Headphones
- Keyboards/Modules
- Microphones
Accessories for Large Diaphragm Condensers, Condensers, Handheld/Vocal Microphones, Headset Microphones, Instrument/Other Microphones, Large Diaphragm Condensers, Miniture/Clip-on Microphones, Ribbon Mics, ShockMounts/Accessories, Small Diaphragm Condensers, USB Microphones, Valve Microphones, Video Microphones
- Mixing Desks
- Multi-Media
- Portable Keyboards
- Studio Monitoring
- Studio Outboard
- Studio Recording
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