 |  | Creamware B4000 ASB Keyboards/Modules Vintage Keyboard Modelling Creamware Keyboards/Modules
Creamware Creamware Vintage Keyboard Modelling Creamware ASB Series
Creamware B4000 ASB
The queen of organs? Maybe. But a steaming one, with no makeup on, smelling dark and earthy. It can be unpredictable as after a bad sleep; obtrusive and loud when in high spirits; warm and engaging if treated well. In short: An instrument for players who want more than just perform Bach’s fugues. Is it possible at all to reconstruct that beast as a software? It is. Okay, it’s not easy but it is possible. And can one play the outcome? I mean play it as it is meant to be played? Of course.
The B4000 ASB does away with the barrier between sophisticated state-of-the-art software and an instrument to be tormented by the performer’s hands just like in the good
old days. Software? Yes. Computer? No. Instrument: Definitely. Nothing else. We at CreamWare were not satisfied with just recording and replaying the sound of the B3TM. With static samples on a mission from God? Unthinkable. Instead, the greatest Hammond of all was meticulously examined: each and every single of the 91 tone wheels; the analog circuits; the interactions between organ and Leslie; the key click; the crosstalk of the choruses even when all the drawbars are inside — all of this and more was scrutinized down to the least detail. The product is a HammondTM sound as it has to be: lively, authentic, heavy. Close your eyes and try your ears. And there is no need for dragging 200 kilograms onto the stage.
Next: If you want an organ sound sending shivers down your spine, a Leslie cabinet is a must. This is why the B4000 ASB incorporates one. Not a real one, of course, but you won’t hear the difference. Bass and treble speakers with separate settings for variable rotation speeds and accelerations, independent pickup microphones for the individual speakers, Doppler effect — everything you need just at your fingertips. Get Going! If you want, you might also edit the ravages of time; what about using tone wheels that are ten years old? Just tweak that knob a bit – that’s it. Functions such as percussion, vibrato, or drawbar distortion were implemented, too. That’s a matter of course. Period.
But we also added some stuff for those who think that time hasn’t stood still since 1955. Velocity sensitivity like with modern synths? Tunable signal envelopes? Okay. And if you want refine the sound of your brand new synthesizer with the Leslie, distortion, and tube drive effects of the B4000, you will welcome the integrated audio input. Afterwards you might have a strong feeling that without the B4000 effects, your overpriced audio workstation sounds like trash-flavored trash; however, that’s not our responsibility. If you had stuck with the organ…
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